Satrançseverler ve öğrenciler için genel dersleri vermeyi tamamladım. Sıra özel derslere geldi. GM düzeyine dek özel satranç dersleri veriyorum. Ayrıca, ingilizce, almanca, matematik, edebiyat, bilgisayar özel dersleri veriyorum. Yoğunluktan dolayı özel mesajlarınıza geç yanıt vermemi lütfen mazur görünüz. En erken 6 ay sonrasına randevu verebiliyoruz. Bu vesileyle uzun süredir görüşemediğimiz beni yazılarında anımsamış İhsan Kılıç, İbrahim Ethem Ay gibi eski dostlara selamlarımı iletirim.
30 Kasım 2013 Cumartesi
29 Kasım 2013 Cuma
Gerard de Villiers Kitapları
Gerard de Villiers - SAS 001 (1965) - SAS 200 (2013)
Titres de la série
- no 1 : SAS à Istanbul, Plon / Presses de la Cité, 1965
- no 2 : S.A.S. contre C.I.A., Plon / Presses de la Cité, 1965
- no 3 : Opération Apocalypse, Plon / Presses de la Cité, 1965
- no 4 : Samba pour SAS, Plon / Presses de la Cité, 1966
- no 5 : Rendez-vous à San Francisco, Plon / Presses de la Cité, 1966
- no 6 : Le Dossier Kennedy, Plon / Presses de la Cité, 1967
- no 7 : SAS broie du noir, Plon / Presses de la Cité, 1967
- no 8 : SAS aux Caraïbes, Plon / Presses de la Cité, 1967
- no 9 : SAS à l'ouest de Jérusalem, Plon / Presses de la Cité, 1967
- no 10 : L'Or de la rivière Kwaï, Plon / Presses de la Cité, 1968
- no 11 : Magie noire à New York, Plon / Presses de la Cité, 1968
- no 12 : Les Trois Veuves de Hong Kong, Plon / Presses de la Cité, 1968
- no 13 : L'Abominable Sirène, Plon / Presses de la Cité, 1969
- no 14 : Les Pendus de Bagdad, Plon / Presses de la Cité, 1969
- no 15 : La Panthère d'Hollywood, Plon / Presses de la Cité, 1969
- no 16 : Escale à Pago-Pago, Plon / Presses de la Cité, 1969
- no 17 : Amok à Bali, Plon / Presses de la Cité, 1970
- no 18 : Que viva Guevara, Plon / Presses de la Cité, 1970
- no 19 : Cyclone à l'ONU, Plon / Presses de la Cité, 1970
- no 20 : Mission à Saïgon, Plon / Presses de la Cité, 1970
- no 21 : Le Bal de la comtesse Adler, Plon / Presses de la Cité, 1971
- no 22 : Les Parias de Ceylan, Plon / Presses de la Cité, 1971
- no 23 : Massacre à Amman, Plon / Presses de la Cité, 1971
- no 24 : Requiem pour Tontons Macoutes, Plon / Presses de la Cité, 1971
- no 25 : L'Homme de Kabul, Plon / Presses de la Cité, 1972
- no 26 : Mort à Beyrouth, Plon / Presses de la Cité, 1972
- no 27 : Safari à La Paz, Plon / Presses de la Cité, 1972
- no 28 : L'Héroïne de Vientiane, Plon / Presses de la Cité, 1972
- no 29 : Berlin : Check-point Charlie, Plon / Presses de la Cité, 1973
- no 30 : Mourir pour Zanzibar, Plon / Presses de la Cité, 1973
- no 31 : L'Ange de Montevideo, Plon / Presses de la Cité, 1973
- no 32 : Murder Inc., Las Vegas, Plon / Presses de la Cité, 1973
- no 33 : Rendez-vous à Boris Gleb, Plon / Presses de la Cité, 1974
- no 34 : Kill Henry Kissinger !, Plon / Presses de la Cité, 1974
- no 35 : Roulette cambodgienne, Plon / Presses de la Cité, 1974
- no 36 : Furie à Belfast, Plon / Presses de la Cité, 1974
- no 37 : Guêpier en Angola, Plon / Presses de la Cité, 1975
- no 38 : Les Otages de Tokyo, Plon / Presses de la Cité, 1975
- no 39 : L'ordre règne à Santiago, Plon / Presses de la Cité, 1975
- no 40 : Les Sorciers du Tage, Plon / Presses de la Cité, 1975
- no 41 : Embargo, Plon / Presses de la Cité, 1976
- no 42 : Le Disparu de Singapour, Plon / Presses de la Cité, 1976
- no 43 : Compte à rebours en Rhodésie, Plon / Presses de la Cité, 1976
- no 44 : Meurtre à Athènes, Plon / Presses de la Cité, 1976
- no 45 : Le Trésor du Négus, Plon / Presses de la Cité, 1977
- no 46 : Protection pour Teddy Bear, Plon / Presses de la Cité, 1977
- no 47 : Mission impossible en Somalie, Plon / Presses de la Cité, 1977
- no 48 : Marathon à Spanish Harlem, Plon / Presses de la Cité, 1977
- no 49 : Naufrage aux Seychelles, Plon / Presses de la Cité, 1978
- no 50 : Le Printemps de Varsovie, Plon / Presses de la Cité, 1978
- no 51 : Le Gardien d'Israël, Plon / Presses de la Cité, 1978
- no 52 : Panique au Zaïre, Plon / Presses de la Cité, 1978
- no 53 : Croisade à Managua, Plon / Presses de la Cité, 1979
- no 54 : Voir Malte et mourir, Plon / Presses de la Cité, 1979
- no 55 : Shangaï Express, Plon / Presses de la Cité, 1979
- no 56 : Opération Matador, Plon / Presses de la Cité, 1979
- no 57 : Duel à Barranquilla, Plon / Presses de la Cité, 1980
- no 58 : Piège à Budapest, Plon / Presses de la Cité, 1980
- no 59 : Carnage à Abu Dhabi, Plon / Presses de la Cité, 1980
- no 60 : Terreur à San Salvador, Plon / Presses de la Cité, 1980
- no 61 : Le Complot du Caïre, Plon / Presses de la Cité, 1981
- no 62 : Vengeance romaine, Plon / Presses de la Cité, 1981
- no 63 : Des armes pour Khartoum, Plon / Presses de la Cité, 1981
- no 64 : Tornade sur Manille, Plon / Presses de la Cité, 1981
- no 65 : Le Fugitif de Hambourg, Plon / Presses de la Cité, 1982
- no 66 : Objectif Reagan, Plon / Presses de la Cité, 1982
- no 67 : Rouge grenade, Plon / Presses de la Cité, 1982
- no 68 : Commando sur Tunis, Plon / Presses de la Cité, 1982
- no 69 : Le Tueur de Miami, Plon / Presses de la Cité, 1983
- no 70 : La Filière bulgare, Plon / Presses de la Cité, 1983
- no 71 : Aventure au Surinam, Plon / Presses de la Cité, 1983
- no 72 : Embuscade à la Khyber Pass, Plon / Presses de la Cité, 1983
- no 73 : Le Vol 007 ne répond plus, Plon / Presses de la Cité, 1984
- no 74 : Les Fous de Baalbek, Plon / Presses de la Cité, 1984
- no 75 : Les Enragés d'Amsterdam, Plon / Presses de la Cité, 1984
- no 76 : Putsch à Ouagadougou, Plon / Presses de la Cité, 1984
- no 77 : La Blonde de Pretoria, Plon / Presses de la Cité, 1985
- no 78 : La Veuve de l'Ayatollah, Plon / Presses de la Cité, 1985
- no 79 : Chasse à l'homme au Pérou, Plon / Presses de la Cité, 1985
- no 80 : L'affaire Kirsanov, Plon / Presses de la Cité, 1985
- no 81 : Mort à Gandhi, Plon / Presses de la Cité, 1986
- no 82 : Danse macabre à Belgrade, Plon / Presses de la Cité, 1986
- no 83 : Coup d'État au Yémen, Plon / Presses de la Cité, 1986
- no 84 : Le Plan Nasser, Plon / Presses de la Cité, 1986
- no 85 : Embrouilles à Panama, Plon / Presses de la Cité, 1987
- no 86 : La Madone de Stockholm, Plon / Presses de la Cité, 1987
- no 87 : L'Otage d'Oman, Plon / Presses de la Cité, 1987
- no 88 : Escale à Gibraltar, Plon / Presses de la Cité, 1987
- no 89 : Aventure en Sierra Leone, Éditions Gérard de Villiers, 1988
- no 90 : La Taupe de Langley, Éditions Gérard de Villiers, 1988
- no 91 : Les Amazones de Pyongyang, Éditions Gérard de Villiers, 1988
- no 92 : Les Tueurs de Bruxelles, Éditions Gérard de Villiers, 1988
- no 93 : Visa pour Cuba, Éditions Gérard de Villiers, 1989
- no 94 : Arnaque à Brunei, Éditions Gérard de Villiers, 1989
- no 95 : Loi martiale à Kaboul, Éditions Gérard de Villiers, 1989
- no 96 : L'Inconnu de Leningrad, Éditions Gérard de Villiers, 1989
- no 97 : Cauchemar en Colombie, Éditions Gérard de Villiers, 1989
- no 98 : Croisade en Birmanie, Éditions Gérard de Villiers, 1990
- no 99 : Mission à Moscou, Éditions Gérard de Villiers, 1990
- no 100 : Les Canons de Bagdad, Éditions Gérard de Villiers, 1990
- no 101 : La Piste de Brazzaville, Éditions Gérard de Villiers, 1991
- no 102 : La Solution rouge, Éditions Gérard de Villiers, 1991
- no 103 : La Vengeance de Saddam Hussein, Éditions Gérard de Villiers, 1991
- no 104 : Manip à Zagreb, Éditions Gérard de Villiers, 1992
- no 105 : KGB contre KGB, Éditions Gérard de Villiers, 1992
- no 106 : Le Disparu des Canaries, Éditions Gérard de Villiers, 1992
- no 107 : Alerte Plutonium, Éditions Gérard de Villiers, 1992
- no 108 : Coup d'État à Tripoli, Éditions Gérard de Villiers, 1992
- no 109 : Mission Sarajevo, Éditions Gérard de Villiers, 1993
- no 110 : Tuez Rigoberta Menchu, Éditions Gérard de Villiers, 1993
- no 111 : Au nom d'Allah, Éditions Gérard de Villiers, 1993
- no 112 : Vengeance à Beyrouth, Éditions Gérard de Villiers, 1993
- no 113 : Les Trompettes de Jéricho, Éditions Gérard de Villiers, 1994
- no 114 : L'Or de Moscou, Éditions Gérard de Villiers, 1994
- no 115 : Les Croisés de l'Apartheid, Éditions Gérard de Villiers, 1994
- no 116 : La Traque Carlos, Éditions Gérard de Villiers, 1994
- no 117 : Tuerie à Marrakech, Éditions Gérard de Villiers, 1995
- no 118 : L'Otage du triangle d'or, Éditions Gérard de Villiers, 1995
- no 119 : Le Cartel de Sébastopol, Éditions Gérard de Villiers, 1995
- no 120 : Ramenez-moi la tête d'El Coyote, Éditions Gérard de Villiers, 1995
- no 121 : La Résolution 687, Éditions Gérard de Villiers, 1996note 2
- no 122 : Opération Lucifer, Éditions Gérard de Villiers, 1996
- no 123 : Vengeance tchétchène, Éditions Gérard de Villiers, 1996
- no 124 : Tu tueras ton prochain, Éditions Gérard de Villiers, 1996
- no 125 : Vengez le vol 800, Éditions Gérard de Villiers, 1997
- no 126 : Une lettre pour la Maison-Blanche, Éditions Gérard de Villiers, 1997
- no 127 : Hong Kong express, Éditions Gérard de Villiers, 1997
- no 128 : Zaïre adieu, Éditions Gérard de Villiers, 1997
- no 129 : La Manipulation Yggdrasil, Éditions Malko productions, 1998
- no 130 : Mortelle Jamaïque, Éditions Malko productions, 1998
- no 131 : La Peste noire de Bagdad, Éditions Malko productions, 1998
- no 132 : L'Espion du Vatican, Éditions Malko productions, 1998
- no 133 : Albanie, mission impossible, Éditions Malko productions, 1999
- no 134 : La Source Yahalom, Éditions Malko productions, 1999
- no 135 : Contre P.K.K., Éditions Malko productions, 1999
- no 136 : Bombes sur Belgrade, Éditions Malko productions, 1999
- no 137 : La Piste du Kremlin, Éditions Malko productions, 2000
- no 138 : L'Amour fou du Colonel Chang, Éditions Malko productions, 2000
- no 139 : Djihad, Éditions Malko productions, 2000
- no 140 : Enquête sur un génocide, Éditions Malko productions, 2000
- no 141 : L'Otage de Jolo, Éditions Gérard de Villiers, 2001
- no 142 : Tuez le Pape, Éditions Gérard de Villiers, 2001
- no 143 : Armageddon, Éditions Gérard de Villiers, 2001
- no 144 : Li Sha-Tin doit mourir, Éditions Gérard de Villiers, 2001
- no 145 : Le Roi fou du Népal, Éditions Gérard de Villiers, 2002
- no 146 : Le Sabre de Bin Laden, Éditions Gérard de Villiers, 2002
- no 147 : La Manip du Karin A, Éditions Gérard de Villiers, 2002
- no 148 : Bin Laden, la traque, Éditions Gérard de Villiers, 2002
- no 149 : Le Parrain du 17 novembre, Éditions Gérard de Villiers, 2003
- no 150 : Bagdad-Express, Éditions Gérard de Villiers, 2003
- no 151 : L'Or d'Al-Qaida, Éditions Gérard de Villiers, 2003
- no 152 : Pacte avec le diable, Éditions Gérard de Villiers, 2003
- no 153 : Ramenez les vivants, Éditions Gérard de Villiers, 2004
- no 154 : Le Réseau Istanbul, Éditions Gérard de Villiers, 2004
- no 155 : Le Jour de la Tcheka, Éditions Gérard de Villiers, 2004
- no 156 : La Connexion saoudienne, Éditions Gérard de Villiers, 2004
- no 157 : Otages en Irak, Éditions Gérard de Villiers, 2005
- no 158 : Tuez Iouchtchenko, Éditions Gérard de Villiers, 2005
- no 159 : Mission : Cuba, Éditions Gérard de Villiers, 2005
- no 160 : Aurore noire, Éditions Gérard de Villiers, 2005
- no 161 : Le Programme 111, Éditions Gérard de Villiers, 2006
- no 162 : Que la bête meure, Éditions Gérard de Villiers, 2006
- no 162 : Le Trésor de Saddam : 1, Éditions Gérard de Villiers, 2006
- no 164 : Le Trésor de Saddam : 2, Éditions Gérard de Villiers, 2006
- no 165 : Le Dossier K, Éditions Gérard de Villiers, 2006
- no 166 : Rouge Liban, Éditions Gérard de Villiers, 2007
- no 167 : Polonium 210, Éditions Gérard de Villiers, 2007
- no 168 : Le Défecteur de Pyongyang : 1, Éditions Gérard de Villiers, 2007
- no 169 : Le Défecteur de Pyongyang : 2, Éditions Gérard de Villiers, 2007
- no 170 : Otage des Taliban, Éditions Gérard de Villiers, 2007
- no 171 : L'Agenda Kosovo , Éditions Gérard de Villiers, 2008
- no 172 : Retour à Shangri-La , Éditions Gérard de Villiers, 2008
- no 173 : Al-Qaïda attaque : 1, Éditions Gérard de Villiers, 2008
- no 174 : Al-Qaïda attaque : 2, Éditions Gérard de Villiers, 2008
- no 175 : Tuez le Dalaï-Lama, Éditions Gérard de Villiers, 2008
- no 176 : Le Printemps de Tbilissi, Éditions Gérard de Villiers, 2009
- no 177 : Pirates, Éditions Gérard de Villiers, 2009
- no 178 : La Bataille des S-300 : 1, Éditions Gérard de Villiers, 2009
- no 179 : La Bataille des S-300 : 2, Éditions Gérard de Villiers, 2009
- no 180 : Le Piège de Bangkok, Éditions Gérard de Villiers, 2009
- no 181 : La Liste Hariri, Éditions Gérard de Villiers, 2010
- no 182 : La Filière suisse, Éditions Gérard de Villiers, 2010
- no 183 : Renegade : 1, Éditions Gérard de Villiers, 2010
- no 184 : Renegade : 2, Éditions Gérard de Villiers, 2010
- no 185 : Féroce Guinée, Éditions Gérard de Villiers, 2010
- no 186 : Le Maître des hirondelles, Éditions Gérard de Villiers, 2011
- no 187 : Bienvenue à Nouakchott, Éditions Gérard de Villiers, 2011
- no 188 : Rouge Dragon : 1, Éditions Gérard de Villiers, 2011
- no 189 : Rouge Dragon : 2, Éditions Gérard de Villiers, 2011
- no 190 : Ciudad Juárez, Éditions Gérard de Villiers, 2011
- no 191 : Les Fous de Benghazi, Éditions Gérard de Villiers, 2012
- no 192 : Igla S, Éditions Gérard de Villiers, 2012
- no 193 : Le Chemin de Damas : 1, Éditions Gérard de Villiers, 2012
- no 194 : Le Chemin de Damas : 2, Éditions Gérard de Villiers, 2012
- no 195 : Panique à Bamako, Éditions Gérard de Villiers, 2012
- no 196 : Le Beau Danube rouge, Éditions Gérard de Villiers, 2013
- no 197 : Les fantômes de Lockerbie, Éditions Gérard de Villiers, 2013
- no 198 : Sauve-qui-peut à Kaboul : 1, Éditions Gérard de Villiers, 2013
- no 199 : Sauve-qui-peut à Kaboul : 2, Éditions Gérard de Villiers, 2013
- no 200 : La Vengeance du Kremlin, Éditions Gérard de Villiers, 2013
Yazın Dünyasından
The Spy Novelist Who Knows Too Much
Denis Rouvre for The New York Times
Gérard de Villiers, the author of the best-selling S.A.S. espionage series.
By ROBERT F. WORTH
Published: January 30, 2013 118 Comments
Last June, a pulp-fiction thriller was published in Paris under the title “Le Chemin de Damas.” Its lurid green-and-black cover featured a busty woman clutching a pistol, and its plot included the requisite car chases, explosions and sexual conquests. Unlike most paperbacks, though, this one attracted the attention of intelligence officers and diplomats on three continents. Set in the midst of Syria’s civil war, the book offered vivid character sketches of that country’s embattled ruler, Bashar al-Assad, and his brother Maher, along with several little-known lieutenants and allies. It detailed a botched coup attempt secretly supported by the American and Israeli intelligence agencies. And most striking of all, it described an attack on one of the Syrian regime’s command centers, near the presidential palace in Damascus, a month before an attack in the same place killed several of the regime’s top figures. “It was prophetic,” I was told by one veteran Middle East analyst who knows Syria well and preferred to remain nameless. “It really gave you a sense of the atmosphere inside the regime, of the way these people operate, in a way I hadn’t seen before.”
De Villiers with Jonas Savimbi, the leader of the rebel group Unita, in Angola in 1982.
The book was the latest by Gérard de Villiers, an 83-year-old Frenchman who has been turning out the S.A.S. espionage series at the rate of four or five books a year for nearly 50 years. The books are strange hybrids: top-selling pulp-fiction vehicles that also serve as intelligence drop boxes for spy agencies around the world. De Villiers has spent most of his life cultivating spies and diplomats, who seem to enjoy seeing themselves and their secrets transfigured into pop fiction (with their own names carefully disguised), and his books regularly contain information about terror plots, espionage and wars that has never appeared elsewhere. Other pop novelists, like John le Carré and Tom Clancy, may flavor their work with a few real-world scenarios and some spy lingo, but de Villiers’s books are ahead of the news and sometimes even ahead of events themselves. Nearly a year ago he published a novel about the threat of Islamist groups in post-revolutionary Libya that focused on jihadis in Benghazi and on the role of the C.I.A. in fighting them. The novel, “Les Fous de Benghazi,” came out six months before the death of the American ambassador, J. Christopher Stevens, and included descriptions of the C.I.A. command center in Benghazi (a closely held secret at that time), which was to become central in the controversy over Stevens’s death. Other de Villiers books have included even more striking auguries. In 1980, he wrote a novel in which militant Islamists murder the Egyptian president, Anwar Sadat, a year before the actual assassination took place. When I asked him about it, de Villiers responded with a Gallic shrug. “The Israelis knew it was going to happen,” he said, “and did nothing.”
Though he is almost unknown in the United States, de Villiers’s publishers estimate that the S.A.S. series has sold about 100 million copies worldwide, which would make it one of the top-selling series in history, on a par with Ian Fleming’s James Bond books. S.A.S. may be the longest-running fiction series ever written by a single author. The first book, “S.A.S. in Istanbul,” appeared in March 1965; de Villiers is now working on No. 197.
For all their geopolitical acumen, de Villiers’s books tend to provoke smirks from the French literati. (“Sorry, monsieur, we do not carry that sort of thing here,” I was told by the manager at one upscale Paris bookstore.) It’s not hard to see why. Randomly flip open any S.A.S. and there’s a good chance you’ll find Malko (he is Son Altesse Sérénissime, or His Serene Highness), the aristocratic spy-hero with a penchant for sodomy, in very explicit flagrante. In one recent novel, he meets a Saudi princess (based on a real person who made Beirut her sexual playground) who is both a dominatrix and a nymphomaniac; their first sexual encounter begins with her watching gay porn until Malko distracts her with a medley of acrobatic sex positions. The sex lives of the villains receive almost equal time. Brutal rapes are described in excruciating physiological detail. In another recent novel, the girlfriend of a notorious Syrian general is submitting to his Viagra-fueled brutality when she recalls that this is the man who has terrorized the people of Lebanon for years. “And it was that idea that set off her orgasm,” de Villiers writes.
(Page 2 of 5)
“The French elite pretend not to read him, but they all do,” I was told by Hubert Védrine, the former foreign minister of France. Védrine is one of the unapologetic few who admit to having read nearly every one of Malko’s adventures. He said he consulted them before visiting a foreign country, as they let him in on whatever French intelligence believed was happening there.
About 10 years ago, when Védrine was foreign minister, de Villiers got a call from the Quai d’Orsay, where the ministry is based, inviting him to lunch. “I thought someone was playing a joke on me,” de Villiers said. “Especially because Védrine is a leftist, and I am not at all.” When he went to the ministry at the scheduled time, Védrine was waiting for him in his private dining room overlooking the Seine.
“I am very happy to join you,” de Villiers recalled telling the minister. “But tell me, why did you want to see me?”
Védrine smiled and gestured for de Villiers to sit down. “I wanted to talk,” he said, “because I’ve found out you and I have the same sources.”
De Villiers’s books have made him very rich, and he lives in an impressively grand house on the Avenue Foch, a stone’s throw from the Arc de Triomphe. I went there one day this winter, and after a short wait on the fourth-floor landing, a massive wooden door swung open, and I found myself facing a distinguished-looking man in brown tweeds with a long, bony face and pale brown eyes. De Villiers uses a walker — a result of a torn aorta two years ago — but still moves with surprising speed. He led me down a high-ceilinged hallway to his study, which also serves as a kind of shrine to old-school masculinity and kinky sex. I stood next to a squatting woman made of steel with a real MP-44 automatic rifle coming out of her crotch. “That one is called ‘War,’ ” de Villiers said. In the middle of the floor was a naked female figure bending over to peek at the viewer from between her legs; other naked women, some of them in garters or chains, gazed out from paintings or book covers. On the shelves were smaller figurines in ivory, glass and wood, depicting various couplings and orgies. Classic firearms hung on the wall — a Kalashnikov, a Tommy gun, a Winchester — and books on intelligence and military affairs were stacked high on tables. Among the photos of him with various warlords and soldiers in Africa, Asia and the Middle East, I noticed a framed 2006 letter from Nicolas Sarkozy, praising the latest S.A.S. novel and saying it had taught him a great deal about Venezuela. “He pretends to read me,” de Villiers said, with a dismissive scowl. “He didn’t. Chirac used to read me. Giscard read me, too.”
After an hour or so, de Villiers led me downstairs to his black Jaguar, and we drove across town to Brasserie Lipp, a gathering spot for aging lions of the French elite. As we pushed through a thick crowd to our table, a handsome old man with a deeply tanned face called out to de Villiers from across the room. It was the great French nouvelle vague actor Jean-Paul Belmondo. He grinned and waved de Villiers over for a conspiratorial chat.
“That’s Table No. 1,” de Villiers said as we sat down. “Mitterrand always used to sit there.” After a waiter rushed up to help him into his seat, de Villiers ordered a suitably virile lunch of a dozen Breton oysters and a glass of Muscadet. He caught me looking at his walker and immediately began telling me about his torn aorta. He nearly died and had to spend three months in a hospital bed. “If you fall off your horse, you have to get back on or you are dead,” he said. He was able to maintain his usual publishing pace even while in the hospital. There was only one real consequence: he had used the real name of the C.I.A. station chief in Mauritania in his manuscript, and in the confusion after the accident, he forgot to change the final text. “The C.I.A. was angry,” he said. “I had to explain. My friends at the D.G.S.E. [the French foreign-intelligence agency, General Directorate for External Security] apologized on my behalf, too.”
One of the many myths surrounding de Villiers is that he employs a team of assistants to help with his prodigious turnout. In fact, he does it all himself, sticking to a work routine that hasn’t changed in half a century. For each book, he spends about two weeks traveling in the country in question, then another six weeks or so writing. The books are published on the same schedule every year: January, April, June, October. Six years ago, at age 77, de Villiers increased his turnout from four books a year to five, producing two linked novels every June. “I’m not a sex machine, I’m a writing machine,” he said.
(Page 3 of 5)
De Villiers was born in Paris in 1929, the son of a wildly prolific and spendthrift playwright who went by the stage name Jacques Deval. He began writing in the 1950s for the French daily France Soir and other newspapers. Early on, during a reporting assignment in Tunisia, he agreed to do a favor for a French intelligence officer, delivering a message to some members of the right-wing pro-colonial group known as la main rouge. It turned out de Villiers was being used as a pawn in an assassination scheme, and he was lucky to escape with his life. He returned to Paris and confronted the officer, who was completely unrepentant. The incident taught him, he said, that “intelligence people don’t give a damn about civilian lives. They are cold fish.” But rather than being turned off, de Villiers found that blend of risk and cold calculation seductive.
In 1964, he was working on a detective novel in his spare time when an editor told him that Ian Fleming, the creator of James Bond, had just died. “You should take over,” the editor said. That was all it took. The first S.A.S. came out a few months later. Although sales are down a bit since his peak in the 1980s, he still earns between 800,000 and a million euros a year (roughly $1 million to $1.3 million) and spends summers at his villa in St. Tropez, where he gads about on his boat by day and drives to parties in the evenings in his 1980s Austin Mini.
He has long been despised by many on the French left for his right-wing political views. “We are all strangled by political correctness,” he told me, and he used the word “fags” several times in our conversations. But his reputation as a racist and anti-Semite is largely myth; one of his closest friends is Claude Lanzmann, the Jewish leftist and director of “Shoah,” the landmark Holocaust documentary. And in recent years, de Villiers has gained a broader following among French intellectuals and journalists, even as his sales have slowed down. “He has become a kind of institution,” said Renaud Girard, the chief foreign correspondent of Le Figaro. “You can even see articles praising him in Libération,” the left-leaning daily.
De Villiers created Malko, his hero, in 1964 by merging three real-life acquaintances: a high-ranking French intelligence official named Yvan de Lignières; an Austrian arms dealer; and a German baron named Dieter von Malsen-Ponickau. As is so often the case, though, his fiction proved prophetic. Five years after he began writing the series, de Villiers met Alexandre de Marenches, a man of immense charisma who led the French foreign-intelligence service for more than a decade and was a legend of cold-war spy craft. De Marenches was very rich and came from one of France’s oldest families; he fought heroically in World War II, and he later built his own castle on the Riviera. He also helped create a shadowy international network of intelligence operatives known as the Safari Club, which waged clandestine battles against Soviet operatives in Africa and the Middle East. “He was doing intelligence for fun,” de Villiers told me. “Sometimes he didn’t even pick up the phone when Giscard called him.” In short, de Marenches was very close to being the aristocratic master spy de Villiers had imagined, and as their friendship deepened in the 1970s, de Villiers’s relationship with French intelligence also deepened and lasts to this day.
De Villiers has always had a penchant for the gruesome and the decadent. One of his models was Curzio Malaparte, an Italian journalist whose best-known book is “Kaputt,” an eerie firsthand account from behind the German front lines during World War II. Another was Georges Arnaud, the French author of several popular adventure books during the 1950s. “He was a strange guy,” de Villiers said. “He once confessed to me that he started life by murdering his father, his aunt and the maid.” (Arnaud was tried and acquitted for those murders, possibly by a rigged jury.) I couldn’t help wondering whether Georges Simenon, the famously prolific and perverted Belgian crime writer, was also an influence. Simenon is said to have taken as little as 10 days to finish his novels, and he published about 200. He also claimed to have slept with 10,000 women, mostly prostitutes. De Villiers laughed at the comparison. “I knew Simenon a little,” he said, then proceeded to tell a raunchy story he heard from Simenon’s long-suffering wife, involving roadside sex in the snow in Gstaad.
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This seemed like a good moment to ask about de Villiers’s own preoccupations. “I’ve had a lot of sex in my life,” he said. “That’s why I have so much trouble with wives. In America they would say I am a ‘womanizer.’ ” He has married four times and has two children, and now has a girlfriend nearly 30 years his junior, an attractive blond woman whom I met briefly at his home. When I suggested that the sex in S.A.S. was unusually hard-core, he replied with a chuckle: “Maybe for an American. Not in France.”
One thing de Villiers does not have is serious literary ambitions. Although he is a great admirer of le Carré, he has never tried to turn espionage into the setting for a complex human drama. He writes the way he speaks, in terse, informative bursts, with a morbid sense of humor. When I asked whether it bothered him that no one took his books seriously, he did not seem at all defensive. “I don’t consider myself a literary man,” he said. “I’m a storyteller. I write fairy tales for adults. And I try to put some substance into it.”
I had no idea what kind of “substance” until a friend urged me to look at “La Liste Hariri,” one of de Villiers’s many books set in and around Lebanon. The book, published in early 2010, concerns the assassination of Rafiq Hariri, the former Lebanese prime minister. I spent years looking into and writing about Hariri’s death, and I was curious to know what de Villiers made of it. I found the descriptions of Beirut and Damascus to be impressively accurate, as were the names of restaurants, the atmosphere of the neighborhoods and the descriptions of some of the security chiefs that I knew from my tenure as The Times’ Beirut bureau chief. But the real surprise came later. “La Liste Hariri” provides detailed information about the elaborate plot, ordered by Syria and carried out by Hezbollah, to kill Hariri. This plot is one of the great mysteries of the Middle East, and I found specific information that no journalists, to my knowledge, knew at the time of the book’s publication, including a complete list of the members of the assassination team and a description of the systematic elimination of potential witnesses by Hezbollah and its Syrian allies. I was even more impressed when I spoke to a former member of the U.N.-backed international tribunal, based in the Netherlands, that investigated Hariri’s death. “When ‘La Liste Hariri’ came out, everyone on the commission was amazed,” the former staff member said. “They were all literally wondering who on the team could have sold de Villiers this information — because it was very clear that someone had showed him the commission’s reports or the original Lebanese intelligence reports.”
When I put the question to de Villiers, a smile of discreet triumph flashed on his face. It turns out that he has been friends for years with one of Lebanon’s top intelligence officers, an austere-looking man who probably knows more about Lebanon’s unsolved murders than anyone else. It was he who handed de Villiers the list of Hariri’s killers. “He worked hard to get it, and he wanted people to know,” de Villiers said. “But he couldn’t trust journalists.” I was one of those he didn’t trust. I have interviewed the same intelligence chief multiple times on the subject of the Hariri killing, but he never told me about the list. De Villiers had also spoken with high-ranking Hezbollah officials, in meetings that he said were brokered by French intelligence. One assumes these men had not read his fiction.
What do the spies themselves say about de Villiers? I conducted my own furtive tour of the French intelligence community and found that de Villiers’s name was a very effective passe-partout, even among people who found the subject mildly embarrassing. Only one of those I spoke with, a former head of the D.G.S.E., said he never provided information to de Villiers. We met in a dim corridor outside his office, where we chatted for a while about other matters before the subject of de Villiers came up. “Ah, yes, Gérard de Villiers, I don’t know him,” he said, chuckling dismissively, as if to suggest that he had not even read the books. Then after a pause, he confessed: “But one must admit that some of his information is very good. And in fact, one sees that it has gotten better and better in the past few novels.”
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Another former spook admitted freely that he had been friends with de Villiers for years. We met at a cafe in Saint-Germain-des-Prés on a cold, foggy afternoon, and as he sipped his coffee, he happily reeled off the favors he’d done — not just talking over cases but introducing de Villiers to colleagues and experts on explosives and nuclear weapons and computer hacking. “When de Villiers describes intelligence people in his book, everybody in the business knows exactly who he’s talking about,” he said. “The truth is, he’s become such a figure that lots of people in the business are desperate to meet him. There are even ministers from other countries who meet with him when they pass through Paris.”
A third former government official spoke of de Villiers as a kind of colleague. “We meet and share information,” he told me over coffee at a Paris hotel. “I’ve introduced him to some sensitive sources. He has a gift — a very strong intellectual comprehension of these security and terrorism issues.”
It is not just the French who say these things. De Villiers has had close friends in Russian intelligence over the years. Alla Shevelkina, a journalist who has worked as a fixer for de Villiers on a number of his Russian trips, said: “He gets interviews that no one else gets — not journalists, no one. The people that don’t talk, talk to him.” In the United States, I spoke to a former C.I.A. operative who has known de Villiers for decades. “I recommend to our analysts to read his books, because there’s a lot of real information in there,” he told me. “He’s tuned into all the security services, and he knows all the players.”
Why do all these people divulge so much to a pulp novelist? I put the question to de Villiers the last time we met, in the cavernous living room of his Paris apartment on a cold winter evening. He was leaving on a reporting trip to Tunisia the next day, and on the coffee table in front of me, next to a cluster of expensive scotches and liqueurs, was a black military-made ammunition belt. “They always have a motive,” he said, absently stroking one of his two longhaired cats like a Bond villain at leisure. “They want the information to go out. And they know a lot of people read my books, all the intelligence agencies.”
Renaud Girard, de Villiers’s old friend and traveling companion, arrived at the apartment for a drink and offered a simpler explanation. “Everybody likes to talk to someone who appreciates their work,” he said. “And it’s fun. If the source is a military attaché, he can show off the book to his friends, with his character drawn in it.” He also suggested that if the source happens to have a beautiful wife, she will appear in a sex scene with Malko, and some of them enjoy this, too. “If you have read the books,” he said, “it’s fun to enter the books.”
I asked de Villiers about his next novel, and his eyes lighted up. “It goes back to an old story,” he said. “Lockerbie.” The book is based on the premise that it was Iran — not Libya — that carried out the notorious 1988 airliner bombing. The Iranians went to great lengths to persuade Muammar el-Qaddafi to take the fall for the attack, which was carried out in revenge for the downing of an Iranian passenger plane by American missiles six months earlier, de Villiers said. This has long been an unverified conspiracy theory, but when I returned to the United States, I learned that de Villiers was onto something. I spoke to a former C.I.A. operative who told me that “the best intelligence” on the Lockerbie bombing points to an Iranian role. It is a subject of intense controversy at the C.I.A. and the F.B.I., he said, in part because the evidence against Iran is classified and cannot be used in court, but many at the agency believe Iran directed the bombing.
De Villiers excused himself to continue packing for Tunisia, after cheerfully delivering his cynical take on the Arab Spring. (“What this really means is the empowerment of the Muslim Brotherhood across the region.”) His views on other subjects are similarly curt and disillusioned. “Russia? Russia is Putin. People fooled themselves with Medvedev that there would be change. I never believed it.” And Syria? “If Bashar falls, Syria falls. There is nothing else to hold that country together.”
Girard and I poured ourselves more Scotch, and he began reeling off stories of his and de Villiers’s adventures together. Many of them involved one of de Villiers’s former wives, who always seemed to show up in Gaza or Pakistan in wildly inappropriate dress. “One time in the mid-’90s, we went to a Hamas stronghold together, and Gérard had his wife with him, wearing a very provocative shirt with no bra,” Girard said. “There were young men there who literally started stoning us, and we had to flee.”
It was getting late, and Girard seemed to be running out of stories. “He is 83 years old, and he is not slowing down,” he said before we parted. “He still goes to Mali and Libya, even after his heart troubles.” He paused for a moment, looking into his Scotch. “I remember one time during the rebellion in Albania, in 1997, we were sitting on a rooftop together, and we started talking about death. He told me: ‘I will never stop. I will keep going with my foot on the accelerator until I die.’ ”
Robert F. Worth is a staff writer for the magazine. He last wrote about the bunker mentality of American diplomacy.
Editor: Joel Lovell
Last June, a pulp-fiction thriller was published in Paris under the title “Le Chemin de Damas.” Its lurid green-and-black cover featured a busty woman clutching a pistol, and its plot included the requisite car chases, explosions and sexual conquests. Unlike most paperbacks, though, this one attracted the attention of intelligence officers and diplomats on three continents. Set in the midst of Syria’s civil war, the book offered vivid character sketches of that country’s embattled ruler, Bashar al-Assad, and his brother Maher, along with several little-known lieutenants and allies. It detailed a botched coup attempt secretly supported by the American and Israeli intelligence agencies. And most striking of all, it described an attack on one of the Syrian regime’s command centers, near the presidential palace in Damascus, a month before an attack in the same place killed several of the regime’s top figures. “It was prophetic,” I was told by one veteran Middle East analyst who knows Syria well and preferred to remain nameless. “It really gave you a sense of the atmosphere inside the regime, of the way these people operate, in a way I hadn’t seen before.”
De Villiers with Jonas Savimbi, the leader of the rebel group Unita, in Angola in 1982.
The book was the latest by Gérard de Villiers, an 83-year-old Frenchman who has been turning out the S.A.S. espionage series at the rate of four or five books a year for nearly 50 years. The books are strange hybrids: top-selling pulp-fiction vehicles that also serve as intelligence drop boxes for spy agencies around the world. De Villiers has spent most of his life cultivating spies and diplomats, who seem to enjoy seeing themselves and their secrets transfigured into pop fiction (with their own names carefully disguised), and his books regularly contain information about terror plots, espionage and wars that has never appeared elsewhere. Other pop novelists, like John le Carré and Tom Clancy, may flavor their work with a few real-world scenarios and some spy lingo, but de Villiers’s books are ahead of the news and sometimes even ahead of events themselves. Nearly a year ago he published a novel about the threat of Islamist groups in post-revolutionary Libya that focused on jihadis in Benghazi and on the role of the C.I.A. in fighting them. The novel, “Les Fous de Benghazi,” came out six months before the death of the American ambassador, J. Christopher Stevens, and included descriptions of the C.I.A. command center in Benghazi (a closely held secret at that time), which was to become central in the controversy over Stevens’s death. Other de Villiers books have included even more striking auguries. In 1980, he wrote a novel in which militant Islamists murder the Egyptian president, Anwar Sadat, a year before the actual assassination took place. When I asked him about it, de Villiers responded with a Gallic shrug. “The Israelis knew it was going to happen,” he said, “and did nothing.”
Though he is almost unknown in the United States, de Villiers’s publishers estimate that the S.A.S. series has sold about 100 million copies worldwide, which would make it one of the top-selling series in history, on a par with Ian Fleming’s James Bond books. S.A.S. may be the longest-running fiction series ever written by a single author. The first book, “S.A.S. in Istanbul,” appeared in March 1965; de Villiers is now working on No. 197.
For all their geopolitical acumen, de Villiers’s books tend to provoke smirks from the French literati. (“Sorry, monsieur, we do not carry that sort of thing here,” I was told by the manager at one upscale Paris bookstore.) It’s not hard to see why. Randomly flip open any S.A.S. and there’s a good chance you’ll find Malko (he is Son Altesse Sérénissime, or His Serene Highness), the aristocratic spy-hero with a penchant for sodomy, in very explicit flagrante. In one recent novel, he meets a Saudi princess (based on a real person who made Beirut her sexual playground) who is both a dominatrix and a nymphomaniac; their first sexual encounter begins with her watching gay porn until Malko distracts her with a medley of acrobatic sex positions. The sex lives of the villains receive almost equal time. Brutal rapes are described in excruciating physiological detail. In another recent novel, the girlfriend of a notorious Syrian general is submitting to his Viagra-fueled brutality when she recalls that this is the man who has terrorized the people of Lebanon for years. “And it was that idea that set off her orgasm,” de Villiers writes.
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“The French elite pretend not to read him, but they all do,” I was told by Hubert Védrine, the former foreign minister of France. Védrine is one of the unapologetic few who admit to having read nearly every one of Malko’s adventures. He said he consulted them before visiting a foreign country, as they let him in on whatever French intelligence believed was happening there.
About 10 years ago, when Védrine was foreign minister, de Villiers got a call from the Quai d’Orsay, where the ministry is based, inviting him to lunch. “I thought someone was playing a joke on me,” de Villiers said. “Especially because Védrine is a leftist, and I am not at all.” When he went to the ministry at the scheduled time, Védrine was waiting for him in his private dining room overlooking the Seine.
“I am very happy to join you,” de Villiers recalled telling the minister. “But tell me, why did you want to see me?”
Védrine smiled and gestured for de Villiers to sit down. “I wanted to talk,” he said, “because I’ve found out you and I have the same sources.”
De Villiers’s books have made him very rich, and he lives in an impressively grand house on the Avenue Foch, a stone’s throw from the Arc de Triomphe. I went there one day this winter, and after a short wait on the fourth-floor landing, a massive wooden door swung open, and I found myself facing a distinguished-looking man in brown tweeds with a long, bony face and pale brown eyes. De Villiers uses a walker — a result of a torn aorta two years ago — but still moves with surprising speed. He led me down a high-ceilinged hallway to his study, which also serves as a kind of shrine to old-school masculinity and kinky sex. I stood next to a squatting woman made of steel with a real MP-44 automatic rifle coming out of her crotch. “That one is called ‘War,’ ” de Villiers said. In the middle of the floor was a naked female figure bending over to peek at the viewer from between her legs; other naked women, some of them in garters or chains, gazed out from paintings or book covers. On the shelves were smaller figurines in ivory, glass and wood, depicting various couplings and orgies. Classic firearms hung on the wall — a Kalashnikov, a Tommy gun, a Winchester — and books on intelligence and military affairs were stacked high on tables. Among the photos of him with various warlords and soldiers in Africa, Asia and the Middle East, I noticed a framed 2006 letter from Nicolas Sarkozy, praising the latest S.A.S. novel and saying it had taught him a great deal about Venezuela. “He pretends to read me,” de Villiers said, with a dismissive scowl. “He didn’t. Chirac used to read me. Giscard read me, too.”
After an hour or so, de Villiers led me downstairs to his black Jaguar, and we drove across town to Brasserie Lipp, a gathering spot for aging lions of the French elite. As we pushed through a thick crowd to our table, a handsome old man with a deeply tanned face called out to de Villiers from across the room. It was the great French nouvelle vague actor Jean-Paul Belmondo. He grinned and waved de Villiers over for a conspiratorial chat.
“That’s Table No. 1,” de Villiers said as we sat down. “Mitterrand always used to sit there.” After a waiter rushed up to help him into his seat, de Villiers ordered a suitably virile lunch of a dozen Breton oysters and a glass of Muscadet. He caught me looking at his walker and immediately began telling me about his torn aorta. He nearly died and had to spend three months in a hospital bed. “If you fall off your horse, you have to get back on or you are dead,” he said. He was able to maintain his usual publishing pace even while in the hospital. There was only one real consequence: he had used the real name of the C.I.A. station chief in Mauritania in his manuscript, and in the confusion after the accident, he forgot to change the final text. “The C.I.A. was angry,” he said. “I had to explain. My friends at the D.G.S.E. [the French foreign-intelligence agency, General Directorate for External Security] apologized on my behalf, too.”
One of the many myths surrounding de Villiers is that he employs a team of assistants to help with his prodigious turnout. In fact, he does it all himself, sticking to a work routine that hasn’t changed in half a century. For each book, he spends about two weeks traveling in the country in question, then another six weeks or so writing. The books are published on the same schedule every year: January, April, June, October. Six years ago, at age 77, de Villiers increased his turnout from four books a year to five, producing two linked novels every June. “I’m not a sex machine, I’m a writing machine,” he said.
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De Villiers was born in Paris in 1929, the son of a wildly prolific and spendthrift playwright who went by the stage name Jacques Deval. He began writing in the 1950s for the French daily France Soir and other newspapers. Early on, during a reporting assignment in Tunisia, he agreed to do a favor for a French intelligence officer, delivering a message to some members of the right-wing pro-colonial group known as la main rouge. It turned out de Villiers was being used as a pawn in an assassination scheme, and he was lucky to escape with his life. He returned to Paris and confronted the officer, who was completely unrepentant. The incident taught him, he said, that “intelligence people don’t give a damn about civilian lives. They are cold fish.” But rather than being turned off, de Villiers found that blend of risk and cold calculation seductive.
In 1964, he was working on a detective novel in his spare time when an editor told him that Ian Fleming, the creator of James Bond, had just died. “You should take over,” the editor said. That was all it took. The first S.A.S. came out a few months later. Although sales are down a bit since his peak in the 1980s, he still earns between 800,000 and a million euros a year (roughly $1 million to $1.3 million) and spends summers at his villa in St. Tropez, where he gads about on his boat by day and drives to parties in the evenings in his 1980s Austin Mini.
He has long been despised by many on the French left for his right-wing political views. “We are all strangled by political correctness,” he told me, and he used the word “fags” several times in our conversations. But his reputation as a racist and anti-Semite is largely myth; one of his closest friends is Claude Lanzmann, the Jewish leftist and director of “Shoah,” the landmark Holocaust documentary. And in recent years, de Villiers has gained a broader following among French intellectuals and journalists, even as his sales have slowed down. “He has become a kind of institution,” said Renaud Girard, the chief foreign correspondent of Le Figaro. “You can even see articles praising him in Libération,” the left-leaning daily.
De Villiers created Malko, his hero, in 1964 by merging three real-life acquaintances: a high-ranking French intelligence official named Yvan de Lignières; an Austrian arms dealer; and a German baron named Dieter von Malsen-Ponickau. As is so often the case, though, his fiction proved prophetic. Five years after he began writing the series, de Villiers met Alexandre de Marenches, a man of immense charisma who led the French foreign-intelligence service for more than a decade and was a legend of cold-war spy craft. De Marenches was very rich and came from one of France’s oldest families; he fought heroically in World War II, and he later built his own castle on the Riviera. He also helped create a shadowy international network of intelligence operatives known as the Safari Club, which waged clandestine battles against Soviet operatives in Africa and the Middle East. “He was doing intelligence for fun,” de Villiers told me. “Sometimes he didn’t even pick up the phone when Giscard called him.” In short, de Marenches was very close to being the aristocratic master spy de Villiers had imagined, and as their friendship deepened in the 1970s, de Villiers’s relationship with French intelligence also deepened and lasts to this day.
De Villiers has always had a penchant for the gruesome and the decadent. One of his models was Curzio Malaparte, an Italian journalist whose best-known book is “Kaputt,” an eerie firsthand account from behind the German front lines during World War II. Another was Georges Arnaud, the French author of several popular adventure books during the 1950s. “He was a strange guy,” de Villiers said. “He once confessed to me that he started life by murdering his father, his aunt and the maid.” (Arnaud was tried and acquitted for those murders, possibly by a rigged jury.) I couldn’t help wondering whether Georges Simenon, the famously prolific and perverted Belgian crime writer, was also an influence. Simenon is said to have taken as little as 10 days to finish his novels, and he published about 200. He also claimed to have slept with 10,000 women, mostly prostitutes. De Villiers laughed at the comparison. “I knew Simenon a little,” he said, then proceeded to tell a raunchy story he heard from Simenon’s long-suffering wife, involving roadside sex in the snow in Gstaad.
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This seemed like a good moment to ask about de Villiers’s own preoccupations. “I’ve had a lot of sex in my life,” he said. “That’s why I have so much trouble with wives. In America they would say I am a ‘womanizer.’ ” He has married four times and has two children, and now has a girlfriend nearly 30 years his junior, an attractive blond woman whom I met briefly at his home. When I suggested that the sex in S.A.S. was unusually hard-core, he replied with a chuckle: “Maybe for an American. Not in France.”
One thing de Villiers does not have is serious literary ambitions. Although he is a great admirer of le Carré, he has never tried to turn espionage into the setting for a complex human drama. He writes the way he speaks, in terse, informative bursts, with a morbid sense of humor. When I asked whether it bothered him that no one took his books seriously, he did not seem at all defensive. “I don’t consider myself a literary man,” he said. “I’m a storyteller. I write fairy tales for adults. And I try to put some substance into it.”
I had no idea what kind of “substance” until a friend urged me to look at “La Liste Hariri,” one of de Villiers’s many books set in and around Lebanon. The book, published in early 2010, concerns the assassination of Rafiq Hariri, the former Lebanese prime minister. I spent years looking into and writing about Hariri’s death, and I was curious to know what de Villiers made of it. I found the descriptions of Beirut and Damascus to be impressively accurate, as were the names of restaurants, the atmosphere of the neighborhoods and the descriptions of some of the security chiefs that I knew from my tenure as The Times’ Beirut bureau chief. But the real surprise came later. “La Liste Hariri” provides detailed information about the elaborate plot, ordered by Syria and carried out by Hezbollah, to kill Hariri. This plot is one of the great mysteries of the Middle East, and I found specific information that no journalists, to my knowledge, knew at the time of the book’s publication, including a complete list of the members of the assassination team and a description of the systematic elimination of potential witnesses by Hezbollah and its Syrian allies. I was even more impressed when I spoke to a former member of the U.N.-backed international tribunal, based in the Netherlands, that investigated Hariri’s death. “When ‘La Liste Hariri’ came out, everyone on the commission was amazed,” the former staff member said. “They were all literally wondering who on the team could have sold de Villiers this information — because it was very clear that someone had showed him the commission’s reports or the original Lebanese intelligence reports.”
When I put the question to de Villiers, a smile of discreet triumph flashed on his face. It turns out that he has been friends for years with one of Lebanon’s top intelligence officers, an austere-looking man who probably knows more about Lebanon’s unsolved murders than anyone else. It was he who handed de Villiers the list of Hariri’s killers. “He worked hard to get it, and he wanted people to know,” de Villiers said. “But he couldn’t trust journalists.” I was one of those he didn’t trust. I have interviewed the same intelligence chief multiple times on the subject of the Hariri killing, but he never told me about the list. De Villiers had also spoken with high-ranking Hezbollah officials, in meetings that he said were brokered by French intelligence. One assumes these men had not read his fiction.
What do the spies themselves say about de Villiers? I conducted my own furtive tour of the French intelligence community and found that de Villiers’s name was a very effective passe-partout, even among people who found the subject mildly embarrassing. Only one of those I spoke with, a former head of the D.G.S.E., said he never provided information to de Villiers. We met in a dim corridor outside his office, where we chatted for a while about other matters before the subject of de Villiers came up. “Ah, yes, Gérard de Villiers, I don’t know him,” he said, chuckling dismissively, as if to suggest that he had not even read the books. Then after a pause, he confessed: “But one must admit that some of his information is very good. And in fact, one sees that it has gotten better and better in the past few novels.”
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Another former spook admitted freely that he had been friends with de Villiers for years. We met at a cafe in Saint-Germain-des-Prés on a cold, foggy afternoon, and as he sipped his coffee, he happily reeled off the favors he’d done — not just talking over cases but introducing de Villiers to colleagues and experts on explosives and nuclear weapons and computer hacking. “When de Villiers describes intelligence people in his book, everybody in the business knows exactly who he’s talking about,” he said. “The truth is, he’s become such a figure that lots of people in the business are desperate to meet him. There are even ministers from other countries who meet with him when they pass through Paris.”
A third former government official spoke of de Villiers as a kind of colleague. “We meet and share information,” he told me over coffee at a Paris hotel. “I’ve introduced him to some sensitive sources. He has a gift — a very strong intellectual comprehension of these security and terrorism issues.”
It is not just the French who say these things. De Villiers has had close friends in Russian intelligence over the years. Alla Shevelkina, a journalist who has worked as a fixer for de Villiers on a number of his Russian trips, said: “He gets interviews that no one else gets — not journalists, no one. The people that don’t talk, talk to him.” In the United States, I spoke to a former C.I.A. operative who has known de Villiers for decades. “I recommend to our analysts to read his books, because there’s a lot of real information in there,” he told me. “He’s tuned into all the security services, and he knows all the players.”
Why do all these people divulge so much to a pulp novelist? I put the question to de Villiers the last time we met, in the cavernous living room of his Paris apartment on a cold winter evening. He was leaving on a reporting trip to Tunisia the next day, and on the coffee table in front of me, next to a cluster of expensive scotches and liqueurs, was a black military-made ammunition belt. “They always have a motive,” he said, absently stroking one of his two longhaired cats like a Bond villain at leisure. “They want the information to go out. And they know a lot of people read my books, all the intelligence agencies.”
Renaud Girard, de Villiers’s old friend and traveling companion, arrived at the apartment for a drink and offered a simpler explanation. “Everybody likes to talk to someone who appreciates their work,” he said. “And it’s fun. If the source is a military attaché, he can show off the book to his friends, with his character drawn in it.” He also suggested that if the source happens to have a beautiful wife, she will appear in a sex scene with Malko, and some of them enjoy this, too. “If you have read the books,” he said, “it’s fun to enter the books.”
I asked de Villiers about his next novel, and his eyes lighted up. “It goes back to an old story,” he said. “Lockerbie.” The book is based on the premise that it was Iran — not Libya — that carried out the notorious 1988 airliner bombing. The Iranians went to great lengths to persuade Muammar el-Qaddafi to take the fall for the attack, which was carried out in revenge for the downing of an Iranian passenger plane by American missiles six months earlier, de Villiers said. This has long been an unverified conspiracy theory, but when I returned to the United States, I learned that de Villiers was onto something. I spoke to a former C.I.A. operative who told me that “the best intelligence” on the Lockerbie bombing points to an Iranian role. It is a subject of intense controversy at the C.I.A. and the F.B.I., he said, in part because the evidence against Iran is classified and cannot be used in court, but many at the agency believe Iran directed the bombing.
De Villiers excused himself to continue packing for Tunisia, after cheerfully delivering his cynical take on the Arab Spring. (“What this really means is the empowerment of the Muslim Brotherhood across the region.”) His views on other subjects are similarly curt and disillusioned. “Russia? Russia is Putin. People fooled themselves with Medvedev that there would be change. I never believed it.” And Syria? “If Bashar falls, Syria falls. There is nothing else to hold that country together.”
Girard and I poured ourselves more Scotch, and he began reeling off stories of his and de Villiers’s adventures together. Many of them involved one of de Villiers’s former wives, who always seemed to show up in Gaza or Pakistan in wildly inappropriate dress. “One time in the mid-’90s, we went to a Hamas stronghold together, and Gérard had his wife with him, wearing a very provocative shirt with no bra,” Girard said. “There were young men there who literally started stoning us, and we had to flee.”
It was getting late, and Girard seemed to be running out of stories. “He is 83 years old, and he is not slowing down,” he said before we parted. “He still goes to Mali and Libya, even after his heart troubles.” He paused for a moment, looking into his Scotch. “I remember one time during the rebellion in Albania, in 1997, we were sitting on a rooftop together, and we started talking about death. He told me: ‘I will never stop. I will keep going with my foot on the accelerator until I die.’ ”
Robert F. Worth is a staff writer for the magazine. He last wrote about the bunker mentality of American diplomacy.
Editor: Joel Lovell
S: New York Times
Yazın dünyasından
Home» News» World News» Europe» France
French spy novelist Gérard de Villiers dies
Gérard de Villiers, who wrote 200 SAS spy novels and sold 150 million copies, dies aged 83, without the international recognition he felt he deserved
Gérard de Villiers photographed at home earlier this year Photo: FRANCOIS GUILLOT/AFP
By Henry Samuel, Paris
6:25PM GMT 01 Nov 2013
Intelligence chiefs called him the best-informed spy novelist on the planet for predicting real-life James Bond-style hits before they happened.
He sold up to 150 million copies of his 200-tome SAS pulp-fiction series, in which hero Malko Linge, an Austrian aristocrat, carries out freelance spy operations around the world for the CIA to pay for the upkeep of his castle.
But Gérard de Villiers died on Thursday aged 83 still nursing two regrets: his lack of recognition in his home country and failure to have his books turned into Hollywood blockbusters to rival the Bond films.
France's literary establishment were appalled at the author's hard-Right views and turned their noses up at his lurid tomes, with their trademark gun-toting femmes fatales, cardboard characters and obligatory sex scenes.
But his geopolitical insights, based on information gleaned from his vast network of intelligence officials, diplomats and journalists, were often eerily prescient.
In 1980, he wrote a novel in which militant Islamists murder the Egyptian president, Anwar Sadat, a year before the actual assassination took place.
Last year, he published a novel about the threat of Islamist groups in postrevolutionary Libya that focused on jihadis in Benghazi and on the role of the CIA in fighting them, six months before the raid which resulted in the death of Christopher Stevens, the US ambassador.
Hubert Védrine, the former foreign minister of France, has admitted to consulting De Villiers' books before visiting a foreign country.
When the minister once invited the author to his private office, De Villiers reportedly asked: "Why did you want to see me?"
"I wanted to talk," Mr Védrine is said to have replied, "because I've found out you and I have the same sources."
One former CIA operative told The New York Times: "I recommend to our analysts to read his books, because there's a lot of real information in there.
"He's tuned into all the security services, and he knows all the players."
Speaking to The Telegraph six years ago, De Villiers said he had one unbreakable rule: "Never write about French intelligence operations: it's too close to home."
In August, Michel Roussin, former right-hand man to France's ex-spy chief, told Le Monde that the author was in fact a member of Service Action, the operational arm of the French secret services.
"The SDECE (ex-French spy service) used SAS to spread disinformation, it was in fashion at the time," he said. "Through him we passed messages."
De Villiers started writing the SAS series when an editor told him in 1964 that Ian Fleming, the creator of James Bond, had just died. "You should take over," the editor said.
He told Le Monde he chose to make his hero Austrian as "nobody would take a Frenchman seriously." "Besides cheese and wine, nothing about us is credible abroad."
A publishing phenomenon, he annually churned out between four and five SAS tomes – a play on words with the Special Air Service and his hero's honorific title, Son Altesse Serenissime (His Most Serene Highness).
The first came out in 1965 and the 200th book in the series – "SAS: The Kremlin's Revenge" – was released this year.
Mr De Villiers regretted failing to conquer the English-speaking world. "I bear the curse of being French," he once said.
But his death came as he seemed on the verge of realising a long-cherished dream of breaking into the English-language market, with reports he had signed a six-figure deal with a major US publisher for the release of translations of five books.
As for the French, he said: "They cannot ignore me, but they have given me no recognition. It's about time they did."
S: Telegraph
10 Kasım 2013 Pazar
Batı Yazını - Bir Sınıflandırma
Batı Yazını - Bir Sınıflandırma (1)
Aşağıdaki metinlerin hemen hepsini (orjinali ya da ingilizcesi) elk. kit.a ekledim. Şimdi türkçe ve almanca ile diğer dillerdeki yayınları araştırıyorum. Sırasıyla: önce düzenlemeler ve düzeltmelere; sonra da kritik edisyonuna başlayacağım.
A. The Theocratic Age (İnanışlar Çağı)
- THE ANCIENT NEAR EAST Gilgamesh, translated by David Ferry
- The Egyptian Book of the Dead
- The Holy Bible, Authorized King James Version
- The Apocrypha
- Sayings of the Fathers (Pirke Aboth), translated by R. Travers Herford
- ANCIENT INDIA (SANSKRIT)The Mahabharata There is an abridged translation by William Buck, and a dramatic version by Jean Claude Carriere, translated by Peter Brook
- The Bhagavad-Gita The crucial religious section of Mahabharata, Book 6, translated by Barbara Stoler Miller
- The Ramayana There is an abridged prose version by William Buck, and a retelling by R. K. Narayan
- THE ANCIENT GREEKSHomer The Iliad, translated by Richmond Lattimore ; The Odyssey, translated by Robert Fitzgerald
- Hesiod The Works and Days; Theogony, translated by Richmond Lattimore
- Archilochos , Sappho, Alkman translated by Guy Davenport
- Pindar The Odes, translated by Richmond Lattimore
- Aeschylus The Oresteia, translated by Robert Fagles ; Seven against Thebes, translated by Anthony Hecht and Helen H. Bacon ; Prometheus Bound ; The Persians ; The Suppliant Women
- Sophocles Oedipus the King, translated by Stephen Berg and Diskin Clay ; Oedipus at Colonus, translated by Robert Fitzgerald ; Antigone, translated by Robert Fagles ; Electra ; Ajax ; Women of Trachis ; Philoctetes
- Euripides (translated by William Arrowsmith) ; Cyclops ; Heracles ; Alcestis ; Hecuba ; The Bacchae ; Orestes ; Andromache ; Medea, translated by Rex Warner ; Ion, translated by H. D. (Hilda Doolittle) ; Hippolytus, translated by Robert Bagg ; Helen, translated by Richmond Lattimore ; Iphigeneia at Aulis, translated by W. S. Merwin and George Dimock
- Aristophanes The Birds, translated by William Arrowsmith ; The Clouds, translated by William Arrowsmith ; The Frogs ; Lysistrata ; The Knights ; The Wasps ; The Assemblywomen (also called The Parliament of Women)
- Herodotus The Histories
- Thucydides The Peloponnesian War
- The Pre-Socratics (Heraclitus, Empedodes) + Some others from Thales up to Diogenes including Socrates
- Plato Dialogues
- Aristotle Poetics ; Ethics
- HELLENISTIC GREEKS Menander The Girl from Samos, translated by Eric G. Turner
- "Longinus" On the Sublime
- Callimachus Hymns and Epigrams
- Theocritus Idylls, translated by Daryl Hine
- Plutarch Lives, translated by John Dryden Moralia
- "Aesop" Fables
- Lucian Satires
- THE ROMANS Plautus Pseudolus ; The Braggart Soldier ; The Rope ;Amphitryon
- Terence (Terentius) The Girl from Andros ; The Eunuch ; The Mother-in-Law
- Lucretius The Way Things Are, translated by Rolfe Humphries
- Cicero On the Gods
- Horace Odes, translated by James Michie ; Epistles ; Satires
- Persius Satires, translated by W. S. Merwin
- Catullus Attis, translated by Horace Gregory ; Other poems translated by Richard Crashaw, Abraham Cowley, Walter Savage Landor, and a host of English poets
- Virgil The Aeneid, translated by Robert Fitzgerald ; Eclogues and Georgics, translated by john Dryden
- Lucan Pharsalia
- Ovid Metamorphoses, translated by George Sandys ; The Art of Love ; Epistulae heroidum or Heroides, translated by Daryl Hine
- Juvenal Satires
- Martial Epigrams, translated by James Michie
- Seneca Tragedies, particularly Medea; and Hercules furens, as translated by Thomas Heywood
- Petronius Satyricon, translated by William Arrowsmith
- Apuleius The Golden Ass, translated by Robert Graves
- THE MIDDLE AGES: LATIN, ARABIC, AND THE VERNACULAR BEFORE DANTE Saint Augustine The City of God, The Confessions
- The Koran, Al-Qur'an: A Contemporary Translation by Ahmad Ali
- The Book of the Thousand Nights and One Night
- The Poetic Edda, translated by Lee Hollander Snorri Sturluson The Prose Edda
- The Nibelungen Lied
- Wolfram von Eschenbach Parzival
- Chretien de Troyes Yvain: The Knight of the Lion, translated by Burton Raffel
- Beowult translated by Charles W. Kennedy
- The Poem of the Cid, translated by W. S. Merwin
- Christine de Pisan The Book of the City of Ladies, translated by Earl Richards
- Diego de San Pedro Prison of Love
- Tacitus
Polisiye Yazın
CİNAYET SOFRASI, Giovanni Scognamillo, 2000
Polis romanları tutkunları iyi bilirler: kendinizi o tür edebiyata kaptırdınız mı sonu gelmez. Gelmez ve gelemez çünkü karşınızda derya kadar engin, bol çeşitlemeli, her zevke, her heyecan arayışına uygun bir malzeme var. Polis romanı, içerdiği tüm macera ve gerilim unsurları bir yana, her şeyden önce bir mantık oyunu ve bir güç çarpışmasıdır, yasa dışı eylemlerde (soygun, cinayet, şantaj) bulunan ile onun peşine takılan yasa temsilcisi (polis, özel hafiye, avukat) arasında. Bir kovalamaca oyunudur polis romanı, bir ya da bir kaç esrarın çözümlenmesidir ve okurun her daim tetikte bulunması gerekiyor, nerede ise hafiye kadar, hiçbir ip ucunu kaçırmamak için.
Popüler edebiyattan sayılır polis romanı ancak Edgar Allan Poe’dan Emile Gaboriau’ya, Maurice Leblanc’dan Georges Simenon’a, Raymond Chandler’den Arthur Conan Doyle’a ve Dashiell Hammet’e tartışılmaz klasiklerini vermiş bir edebiyat türü, klasiklerini vermiş ve kökenleri ile klasiklere, klasik trajedilere dayanan.
Polis romanları tutkunları iyi bilirler: kendinizi o tür edebiyata kaptırdınız mı sonu gelmez. Gelmez ve gelemez çünkü karşınızda derya kadar engin, bol çeşitlemeli, her zevke, her heyecan arayışına uygun bir malzeme var. Polis romanı, içerdiği tüm macera ve gerilim unsurları bir yana, her şeyden önce bir mantık oyunu ve bir güç çarpışmasıdır, yasa dışı eylemlerde (soygun, cinayet, şantaj) bulunan ile onun peşine takılan yasa temsilcisi (polis, özel hafiye, avukat) arasında. Bir kovalamaca oyunudur polis romanı, bir ya da bir kaç esrarın çözümlenmesidir ve okurun her daim tetikte bulunması gerekiyor, nerede ise hafiye kadar, hiçbir ip ucunu kaçırmamak için.
Popüler edebiyattan sayılır polis romanı ancak Edgar Allan Poe’dan Emile Gaboriau’ya, Maurice Leblanc’dan Georges Simenon’a, Raymond Chandler’den Arthur Conan Doyle’a ve Dashiell Hammet’e tartışılmaz klasiklerini vermiş bir edebiyat türü, klasiklerini vermiş ve kökenleri ile klasiklere, klasik trajedilere dayanan.
[]
Polisiye Yazın Yazıları (2)
Project Gutenberg Newsletter
Konu: [gmonthly] Project Gutenberg Newsletter November 2013
Kimden: Greg Newby <gbnewby@pglaf.org>
Tarih: 7.11.2013 11:53
Kime: gmonthly@lists.pglaf.org
This is the Project Gutenberg Newsletter for November 2013.
CONTENTS
* World Public Libary video
* Notable new book series: Warren Commission
* Newest eBook listings
* World Public Libary video
Congratulations to the World Public Library on a new video:
www.youtube.com/watch?v=GRKWe0N4v9M&feature=youtu.be
This video tells the story and vision of the WPL, in a broad cultural context. WPL is one of Project Gutenberg's close affiliates, and has hosted the World eBook Fair and other events. WPL is also the home of the Project Gutenberg Self-Publishing Portal, at http://self.gutenberg.org/
Visit the World Public Library online at www.worldpubliclibrary.net
* Notable new book series: Warren Commission
Volumes 1-12 of the Warren Commission report have been released by Project Gutenberg. This helps to commemorate the 50th anniversary of the death of President John F. Kennedy on November 22, 1963. Michael Hart, Project Gutenberg's founder, told me the story of how he met President Kennedy briefly when he was running for office. This happened on the quad at the University of Illinois at Urbana-Champaign. Michael told me he was impressed by JFK's strong
presence, keen intellect, and razor-sharp attention. (gbn)
Here is the bibliographic record for for Volume 1. Link directly to
www.gutenberg.org/etext/44001, or search by title to get other
volumes:
Warren Commission - Hearings Vol I, by President's Commission 44001
[Full title: Warren Commission (1 of 26): Hearings Vol. I (of 15)]
[Full author: The President's Commission on the Assassination of President
Kennedy]
Thanks to Curtis Weyant, Charlene Taylor, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net. Images generously provided by www.history-matters.com.
* Newest eBook listings
TITLE and AUTHOR ETEXT NO.
Psychoanalysis, by André Tridon 44085
[Subtitle: Sleep and Dreams]
Langs lijnen van geleidelijkheid, by Louis Couperus 44084
[Language: Dutch]
The Count of the Saxon Shore, by Alfred John Church 44083
[Subtitle: or The Villa in Vectis.
A Tale of the Departure of the Romans from Britain]
The History of Modern Painting, Volume 3 (of 4), by Richard Muther 44082
[Subtitle: Revised edition continued by the author
to the end of the XIX century]
Minnie Brown, by Daniel Wise 44081
[Author a.k.a. Francis Forrester]
[Subtitle: or, The Gentle Girl]
Madonna Mary, by Mrs. Oliphant 44080
Sudden Jim, by Clarence Budington Kelland 44079
The Trail Boys on the Plains, by Jay Winthrop Allen 44078
[Subtitle: The Hunt for the Big Buffalo]
[Illustrator: Walter S. Rogers]
No Posting 44077
Autumn Impressions of the Gironde, by Isabel Giberne Sieveking 44076
Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat, 44075
by Edmund Roberts
[Subtitle: In the U. S. Sloop-of-war Peacock, David Geisinger,
Commander, During the Years 1832-3-4]
Meccania, by Owen Gregory 44074
[Subtitle: The Super-State]
The Aquarian Gospel of Jesus the Christ, by Levi H. Dowling 44073
[Subtitle: The Philosophic and Practical Basis of the
Religion of the Aquarian Age of the World and of The
Church Universal]
The Seat of Empire, by Charles Carleton Coffin 44072
The Sin and Danger of Self-Love, by Robert Cushman 44071
[Subtitle: Described by a Sermon Preached At Plymouth,
in New-England, 1621]
Le ménagier de Paris (v. 1 & 2), by Anonymous 44070
[Language: French]
Storia delle repubbliche italiane dei secoli di mezzo, v. 10 44069
by J. C. L. Simondo Sismondi
[Language: Italian]
Le Roman Comique du Chat Noir, by Gabriel Montoya 44068
[Language: French]
La Vettura Automobile, by Alamanno De Maria 44067
[Subtitle: sue parti - suo funzionamento]
[Language: Italian]
Wanderings in Ireland, by Michael Myers Shoemaker 44066
An Apology for the Life of Mr. Colley Cibber, Volume II (of 2), 44065
by Colley Cibber
[Notes and Supplement by Robert W. Lowe]
[Subtitle: Written by Himself. A New Edition with Notes and Supplement]
[Illustrators: R. B. Parkes and Adolphe Lalauze]
An Apology for the Life of Mr. Colley Cibber, Volume I (of 2), 44064
by Colley Cibber
[Notes and Supplement by Robert W. Lowe]
[Subtitle: Written by Himself. A New Edition with Notes and Supplement]
[Illustrators: R. B. Parkes and Adolphe Lalauze]
No Posting 44063
No Posting 44062
Crossed Trails in Mexico, by Nell Virginia Fairfax 44061
and Helen A. Ripley
[Subtitle: Mexican Mystery Stories #3]
[Listed author, Helen Randolph, was a pseudonym used by both women]
The Mystery of Carlitos, by Nell Virginia Fairfax 44060
and Helen A. Ripley
[Subtitle: Mexican Mystery Stories #2]
[Listed author, Helen Randolph, was a pseudonym used by both women]
The Secret of Casa Grande, by Nell Virginia Fairfax 44059
and Helen A. Ripley
[Subtitle: Mexican Mystery Stories #1]
[Listed author, Helen Randolph, was a pseudonym used by both women]
Zoological Illustrations, or Original Figures and Descriptions 44058
Volume III, Second Series, by William Swainson
Zoological Illustrations, or Original Figures and Descriptions 44057
Volume II, Second Series, by William Swainson
Zoological Illustrations, or Original Figures and Descriptions 44056
Volume I, Second Series, by William Swainson
With Wellington in Spain, by F. S. Brereton 44055
[Subtitle: A Story of the Peninsula]
[Illustrator: W. Rainey]
Histoire des salons de Paris (Tome 4 / 6), 44054
by Laure Junot, duchesse d' Abrantès
[Subtitle: Tableaux et portraits du grand monde sous Louis XVI,
Le Directoire, le Consulat et l'Empire, la Restauration et
le règne de Louis-Philippe Ier.]
[Language: French]
Sermons, by Clement Bailhache 44053
[Subtitle: Selected from the Papers of
the Late Rev. Clement Bailhache]
Profitable Stock Exchange Investments, by Henry Voorce Brandenburg 44052
Briefwechsel zwischen Abaelard und Heloise, by Abaelard and Heloise 44051
[Subtitle: mit der Lebensgeschichte Abaelards]
[Language: German]
The Works of John Dryden, now first collected in 44050
Eighteen Volumes, Volume 11, by John Dryden
Die Hessen und die andern deutschen Hilfstruppen im Kriege 44049
gross-britanniens gegen Amerika, by Edward Jackson Lowell
[Translator: O. C. Freiherr von Verschuer]
[Language: German]
Legal Chemistry, by J. P. Battershall 44048
[Subtitle: A Guide to the Detection of Poisons,
Examination of Tea, Stains, Etc.]
[Translator: A. Naquet]
Historisch dagverhaal der reize van den heer De Lesseps, 44047
by Bartholemy de Lesseps
[Subtitle: Zedert het verlaten van den Heer Graaf
de la Perouse en zyne togtgenooten in de haven
van St. Pieter & Paulus op Kamchatka, enz.]
[Language: Dutch]
Munster, by Stephen Lucius Gwynn 44046
Young Oliver: or the Thoughtless Boy, by Anonymous 44045
[Subtitle: A Tale]
London Souvenirs, by Charles William Heckethorn 44044
The Truth about Opium, by William H. Brereton 44043
[Subtitle: Being a Refutation of the Fallacies of the Anti-
Opium Society and a Defence of the Indo-China Opium Trade]
Runous ja runouden muodot, by B. F. Godenhjelm 44042
[Subtitle: Kirjoitelmia. Runoja.]
[Language: Finnish]
The Mystery of Arnold Hall, by Helen M. Persons 44041
Worcestershire in the Nineteenth Century, by T. C. Turberville 44040
[Subtitle: A Complete Digest of Facts Occuring in the
Country since the Commencement of the year 1800]
Hymns of the Early Church, by John Brownlie 44039
[Subtitle: being translations from the poetry of the Latin
church, arranged in the order of the Christian year]
Through the Yukon Gold Diggings, by Josiah Edward Spurr 44038
[Subtitle: A Narrative of Personal Travel]
The Adventures of Billy Topsail, by Norman Duncan 44037
J. C. Lavater's Sittenbüchlein für das Gesinde, 44036
by Johann Caspar Lavater
[Language: German ]
Systematic Theology, (Volume 1 of 3), by Augustus Hopkins Strong 44035
[Subtitle: The Doctrine of God]
Juliette Drouet's Love-Letters to Victor Hugo, 44034
by Louis Guimbaud and Juliette Drouet
[Subtitle: Edited with a Biography of Juliette Drouet]
[Translator: Lady Theodora Davidson]
Raphael, by Paul G. Konody 44033
Thirty Years on the Frontier, by Robert McReynolds 44032
The Talisman, by Anonymous 44031
[Subtitle: A Tale for Boys]
Our Little Danish Cousin, by Luna May Innes 44030
[Illustrator: Elizabeth Otis]
Mind and Body, by William Walker Atkinson 44029
[Subtitle: or, Mental States and Physical Conditions]
The Every Day Book of History and Chronology, by Joel Munsell 44028
[Subtitle: Embracing the Anniversaries of Memorable
Persons and Events in Every Period and State of
the World, from the Creation to the Present Time]
The Expositor's Bible: The Psalms, Volume III, by Alexander Maclaren 44027
Riding for Ladies, by Mrs. Power O'Donoghue 44026
[Subtitle: With Hints on the Stable]
[Author a.k.a. Nannie Lambert]
[Illustrator: A. Chantrey Corbould]
August Strindberg, the Spirit of Revolt, by Lizzy Lind-af-Hageby 44025
[Subtitle: Studies and Impressions]
The Book of War: The Military Classic of the Far East, 44024
by Sunzi and Wutzu
[Subtitle: The Articles of Suntzu; The Sayings of Wutzu]
[Translator: Everard Ferguson Calthrop]
Les Romanciers d'Aujourd'hui, by Charles Le Goffic 44023
[Language: French]
On the Development and Distribution of Primitive Locks 44022
and Keys, by Augustus Pitt-Rivers
Feudal England -- Historical Studies On The Eleventh 44021
and Twelfth Centuries, by J. H. Round
Punch, or the London Charivari, Vol. 105, October 14th 1893, by Various 44020
[Editor: Sir Francis Burnand]
A Course of Mechanical, Magnetical, Optical, Hydrostatical and 44019
Pneumatical Experiments, by Francis Hauksbee the Younger
[Subtitle: perform'd by Francis Hauksbee, and the
Explanatory Lectures read by William Whiston, M.A.]
First Love Vol. 1 of 3, by Margracia Loudon 44018
Le Cathecumene, traduit du chinois, by Anonymous 44017
[Language: French]
The White Spark, by Orville Livingston Leach 44016
The Fatal Dowry, by Philip Massinger and Nathaniel Field 44015
Antique Works of Art from Benin, by Augustus Henry Lane-Fox Pitt-Rivers 44014
[Subtitle: Collected by Lieutenant-General Pitt Rivers]
Tom Fairfield at Sea, by Allen Chapman 44013
[Subtitle: or, The Wreck of the Silver Star]
Warren Commission Hearings (12 of 26), Vol. 12 of 15, by The 44012
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (11 of 26), Vol. 11 of 15, by The 44011
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (10 of 26), Vol. 10 of 15, by The 44010
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (9 of 26), Vol. 9 of 15, by The 44009
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (8 of 26), Vol. 8 of 15, by The 44008
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (7 of 26), Vol. 7 of 15, by The 44007
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (6 of 26), Vol. 6 of 15, by The 44006
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (5 of 26), Vol. 5 of 15, by The 44005
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (4 of 26), Vol. 4 of 15, by The 44004
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (3 of 26), Vol. 3 of 15, by The 44003
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (2 of 26), Vol. 2 of 15, by The 44002
President's Commission on the Assassination of President Kennedy
Warren Commission Hearings (1 of 26), Vol. 1 of 15, by The 44001
President's Commission on the Assassination of President Kennedy
No Posting 44000
Kitty's Picnic and other Stories, by Anonymous 43999
The Airedale, by Williams Haynes 43998
Wanderings in India, by John Lang 43997
[Subtitle: And Other Sketches of Life in Hindostan]
The American Joe Miller, by Various 43996
[Subtitle: A Collection of Yankee Wit and Humor]
Peter Parley's Visit to London, by Peter Parley 43995
[Subtitle: During the Coronation of Queen Victoria]
Caleb Wright, by John Habberton 43994
[Subtitle: A Story of the West]
Stories from the Iliad, by H. L. Havell 43993
A Hand-book to the Primates, Volume 2 of 2, by Henry O. Forbes 43992
A Hand-book to the Primates, Volume 1 of 2, by Henry O. Forbes 43991
History of The Inquisition of The Middle Ages; vol. 2, 43990
by Henry Charles Lea
The Trail of The Badger, by Sidford F. Hamp 43989
[Subtitle: A Story of the Colorado Border Thirty Years Ago]
[Illustrator: Chase Emerson]
Titian, by Samuel Levy Bensusan 43988
Die drei Sprünge des Wang-lun, by Alfred Döblin 43987
[Subtitle: Chinesischer Roman]
[Language: German]
The Criminal & the Community, by James Devon 43986
Domitia, by Sabine Baring-Gould 43985
[Illustrator: Izora C. Chandler]
Chaucer for Children, by Mrs. H. R. Haweis 43984
[Subtitle: A Golden Key]
[Illustrator: Mrs. H. R. Haweis]
Wanted: A Cook, by Alan Dale 43983
[Subtitle: Domestic Dialogues]
Stories of the Old world, by Alfred John Church 43982
Punch, or the London Charivari, Vol. 108, June 29, 1895, by Various 43981
Madame Sans-Gêne, Tome III, by Edmond Lepelletier 43980
[Subtitle: Le Roi de Rome]
[Language: French]
The Real Jefferson Davis, by Landon Knight 43979
Uudesta Maailmasta, by Aleksandra Gripenberg 43978
[Subtitle: Hajanaisia matkakuvia Amerikasta]
[Language: Finnish]
The Seven Darlings, by Gouverneur Morris 43977
[Illustrator: Howard Chandler Christy]
Ancient Plants, by Marie C. Stopes 43976
[Subtitle: Being a Simple Account of the Past Vegetation
of the Earth and of the Recent Important Discoveries
Made in this Realm of Nature]
The Lost Cabin Mine, by Frederick Niven 43975
Visions and Beliefs in the West of Ireland, Second Series, 43974
by Lady Gregory
Visions and Beliefs in the West of Ireland, First Series, 43973
by Lady Gregory
A Journey in Southeastern Mexico, by Henry Howard Harper 43972
One Man's View, by Leonard Merrick 43971
Every Day Life in the Massachusetts Bay Colony, by George Francis Dow 43970
With the Ulster Division in France, 43969
by Arthur Purefoy Irwin Samuels and Dorothy Gage Samuels
[Subtitle: A Story of the 11th Battalion Royal Irish Rifles
(South Antrim Volunteers), From Bordon to Thiepval]
The Book of Coniston, by William Gershom Collingwood 43968
A Christian Directory (Part 4 of 4), by Richard Baxter 43967
[Subtitle: The Practical Works of Richard Baxter]
Witchcraft and Superstitious Record in the South-Western 43966
District of Scotland, by J. Maxwell Wood
[Illustrator: John Copland]
Invention, by Bradley A. Fiske 43965
[Subtitle: The Master-key to Progress]
L'Illustration, No. 0055, 16 Mars 1844, by Various 43964
[Language: French]
The Principles of Stratigraphical Geology, by J. E. Marr 43963
Rajankäyntiä nykyisen kirjallisuutemme suunnista, by Juhani Siljo 43962
[Language: Finnish]
The Life Savers, by James Otis 43961
[Subtitle: A story of the United States life-saving service]
Les Forestiers du Michigan, by Gustave Aimard and 43960
Jules Berlioz d'Auriac
[Language: French]
The Arctic Whaleman, by Lewis Holmes 43959
[Subtitle: or, Winter in the Arctic Ocean]
No Posting 43958
Appletons' Popular Science Monthly, by Various 43957
[Subtitle: Volume 54, November 1898]
[Editor: William Jay Youmans]
Oeuvres complètes de Chamfort (Vol. 4/5), by Pierre René Auguis 43956
[Subtitle: Recueillies et publiées, avec une notice
historique sur la vie et les écrits de l'auteur]
[Language: French]
Letters of Peregrine Pickle, by George P. Upton 43955
Practical Psychomancy and Crystal Gazing, by William Walker Atkinson 43954
De schippersjongen, by Pieter Louwerse 43953
[Subtitle: Leiden in strijd en nood]
[Language: Dutch]
The Lonely Unicorn, by Alex Waugh 43952
[Subtitle: A novel]
The Cynic's Word Book, by Ambrose Bierce 43951
Cincuenta y cuatro Canciones Españolas del siglo XVI, by Rafael Mitjana 43950
[Subtitle: Cancionero de Uppsala]
[Language: Spanish]
Storia delle repubbliche italiane dei secoli di mezzo, v. 9, 43949
by J. C. L. Simondo Sismondi
[Language: Italian]
Storia delle repubbliche italiane dei secoli di mezzo, v. 8, 43948
by J. C. L. Simondo Sismondi
[Language: Italian]
Comparative Religion, by J. Estlin Carpenter 43947
The Sea-beach at Ebb-tide, by Augusta Foote Arnold 43946
[Subtitle: A Guide to the Study of the Seaweeds and
the Lower Animal Life Found Between Tide-marks]
A Treatise Upon the Law of Copyright in the United Kingdom and 43945
the Dominions of the Crown, and in the United States of
America, by E. J. MacGillivray
[Subtitle: Containing a full Appendix of all Acts of Parliament
International Conventions, Orders in Council, Treasury
Minute and Acts of Congress now in Force]
The Devil-Tree of El Dorado, by Frank Aubrey 43944
[Subtitle: A Novel]
[Illustrators: Leigh Ellis and Fred Hyland]
A Comprehensive Guide-Book to Natural, Hygienic and Humane 43943
Diet, by Sydney H. Beard
Plague, by Thomas Wright Jackson 43942
[Subtitle: Its Cause and the Manner of its Extension--Its Menace
--Its Control and Suppression--Its Diagnosis and Treatment]
Erämaan taistelu, by Santeri Ivalo 43941
[Subtitle: Historiallinen romaani]
[Language: Finnish]
Baseball Joe, Home Run King, by Lester Chadwick 43940
[Subtitle: or, The Greatest Pitcher and Batter on Record]
The Scandinavian Element in the United States, 43939
by Kendric Charles Babcock
[Subtitle: University of Illinois Studies in the Social
Sciences, Vol. 111, No. 3, September, 1914]
The Sorceress of Rome, by Nathan Gallizier 43938
[Illustrators: The Kinneys and P. Verburg]
Finding the Lost Treasure, by Helen M. Persons 43937
The Wonderful Wizard of Oz, by L. Frank Baum 43936
[Illustrator: W. W. Denslow]
William E. Burton: Actor, Author, and Manager, by William L. Keese 43935
Harbor Jim of Newfoundland, by Alden Eugene Bartlett 43934
Visionen, by Oskar Panizza 43933
[Subtitle: Skizzen und Erzählungen]
[Language: German]
Wallenstein, II (of 2), by Alfred Döblin 43932
[Language: German]
Wallenstein, I (of 2), by Alfred Döblin 43931
[Language: German]
The Cat, by Philip M. Rule 43930
[Subtitle: Its Natural History; Domestic Varieties;
Management and Treatment]
The Collector, by Henry T. Tuckerman 43929
[Subtitle: Essays on Books, Newspapers, Pictures, Inns,
Authors, Doctors, Holidays, Actors, Preachers]
The British Woodlice, by Wilfred Mark Webb and Charles Sillem 43928
[Subtitle: Being a Monograph of the Terrestrial Isopod
Crustacea Occurring in the British Islands]
A Sermon Delivered before His Excellency Levi Lincoln, Governor, 43927
His Honor Thomas L. Winthrop, Lieutenant Governor,
The Hon. Council, The Senate, and House of Representatives
of the Commonwealth of Massachusetts, on the day of General
Election, by James Walker
[Subtitle: May 28, 1828]
Dictionnaire du bon langage, by N.-J. Carpentier 43926
[Language: French]
The Prairie Flower, by Gustave Aimard 43925
[Subtitle: A Tale of the Indian Border]
[Translator: Lascelles Wraxall]
Histoire de la civilisation égyptienne, by Gustave Jéquier 43924
[Subtitle: Des origines à la conquête d'Alexandre]
[Language: French]
Le lion du désert, by Gustave Aimard 43923
[Subtitle: Scènes de la vie indienne dans les prairies]
[Language: French]
Original Photographs Taken on the Battlefields during the Civil War 43922
of the United States, by by Mathew B. Brady and Alexander Gardner
One Irish Summer, by William Eleroy Curtis 43921
Höherzüchtung des Menschen auf biologischer Grundlage, by Paul C. Franze 43920
[Subtitle: Vortrag]
[Language: German]
Ali Baba en de veertig roovers, by Anonymous 43919
[Subtitle: Verhaal uit de Duizend en een Nacht]
[Illustrator: H. Granville Fell]
[Language: Dutch]
The Penitent Boy, by Daniel Parish Kidder 43918
[Subtitle: or, Sin Brings Sorrow]
The Motor Rangers Through the Sierras, by Marvin West 43917
Nothing But the Truth, by Frederic S. Isham 43916
Theodor Leschetizky, by Annette Hullah 43915
Das höllische Automobil, by Otto Julius Bierbaum 43914
[Subtitle: Novellen]
[Language: German]
Aus dem Matrosenleben, by Friedrich Gerstäcker 43913
[Language: German]
Practical Italian Recipes for American Kitchens, 43912
by Julia Lovejoy Cuniberti
[Subtitle: Sold to aid the Families of Italian Soldiers]
A Dreadful Temptation, by Mrs. Alex. McVeigh Miller 43911
[Subtitle: or, A Young Wife's Ambition]
The Danes in Lancashire and Yorkshire, by S. W. Partington 43910
Sometub's Cruise on the C. & O. Canal, by John Pryor Cowan 43909
[Subtitle: The narrative of a motorboat
vacation in the heart of Maryland]
Our Little Siamese Cousin, by Mary Hazelton Wade 43908
[Illustrator: L. J. Bridgman]
Betty Gordon at Bramble Farm, by Alice B. Emerson 43907
[Subtitle: The Mystery of a Nobody]
The Story of the Teasing Monkey, by Helen Bannerman 43906
South from Hudson Bay, by Ethel Claire Brill 43905
[Subtitle: An Adventure and Mystery Story for Boys]
Mystery Wings, by Roy J. Snell 43904
[Subtitle: A Mystery Story for Boys]
Die Lieder Gottfrieds von Neifen, by Gottfried 43903
[Language: German]
Maring (Dangal at Lakas), by Aurelio Tolentino 43902
[Subtitle: Ulirang Buhay Tagalog]
[Language: Tagalog]
Lettres de Madame Sévigné, by Madame de Sévigné 43901
[Précédées d'une Notice sur sa Vie et du Traité
sur Le Style Épistolaire de Madame de Sévigné]
[Language: French]
History of the Jews, Vol. IV (of VI), by Heinrich Graetz 43900
Et Ægteskabs Historie, by Vilhelm Østergaard 43899
[Subtitle: En Virkelighedsskildring]
[Language: Danish]
Florence Nightingale the Angel of the Crimea, by Laura E. Richards 43898
[Subtitle: A Story for Young People]
Antoine of Oregon, by James Otis 43897
[Subtitle: A Story of the Oregon Trail]
Church and Nation, by William Temple 43896
[Subtitle: The Bishop Paddock Lectures for 1914-15]
Old Coachman's Chatter with some Practical Remarks on Driving, 43895
by Edward Corbett
[Illustrator: John Sturgess]
The History of Modern Painting, Volume 2 (of 4), by Richard Muther 43894
[Subtitle: Revised edition continued by the author
to the end of the XIX century]
My Miscellanies, Vol. 1 (of 2), by Wilkie Collins 43893
Ein Parcerie-Vertrag, by Friedrich Gerstäcker 43892
[Language: German]
Du deutsches Kind, by Various 43891
[Subtitle: Eine Gabe für unsere Jugend]
[Editor: I. B. Laßleben]
[Illustrator: Albert Reich]
[Language: German]
Erämaan nuijamiehet, by Santeri Ivalo 43890
[Subtitle: Historiallinen romaani]
[Language: Finnish]
La Coupe; Lupo Liverani; Le Toast; Garnier; Le Contrebandier; 43889
La Rêverie à Paris, by George Sand
[Language: French]
The Blue-Grass Region of Kentucky, by James Lane Allen 43888
[Subtitle: and other Kentucky Articles]
Sleep and Its Derangements, by William A. Hammond 43887
Bunyan's Pilgrim's Progress, by Samuel Phillips Day 43886
[Subtitle: In Words of One Syllable]
Alila, Our Little Philippine Cousin, by Mary Hazelton Wade 43885
[Illustrator: L. J. Bridgman]
Hallowed Heritage: The Life of Virginia, by Dorothy M. Torpey 43884
A Brief History of the U. S. S. Imperator, one of the two 43883
Largest Ships in the U. S. Navy, by Anonymous
Punch, or the London Charivari, Vol. 107, November 3, 1894, by Various 43882
The Mediaeval Mind (Volume II of II), by Henry Osborn Taylor 43881
[Subtitle: A History of the Development of Thought
and Emotion in the Middle Ages]
The Mediaeval Mind (Volume I of II), by Henry Osborn Taylor 43880
[Subtitle: A History of the Development of Thought
and Emotion in the Middle Ages]
The Vegetarian Cook Book, by E. G. Fulton 43879
[Subtitle: Substitutes for Flesh Foods]
The Grim House, by Mrs. Molesworth 43878
[Illustrator: Warwick Goble]
The Life of Galileo Galilei, with Illustrations of the Advancement 43877
of Experimental Philosophy, by John Elliot Drinkwater Bethune
[Subtitle: Life of Kepler]
California Athabascan Groups, by Martin A. Baumhoff 43876
The Boy Chums in the Florida Jungle, by Wilmer M. Ely 43875
[Subtitle: or, Charlie West and Walter Hazard
with the Seminole Indians]
[Illustrator: J. Watson Davis]
Chats on Angling, by H. V. Hart-Davis 43874
[Illustrator: H. V. Hart-Davis]
Giacomo Puccini, by Wakeling Dry 43873
Billy Whiskers' Travels, by F. G. Wheeler 43872
[Illustrator: Carll B. Williams]
Vercingétorix, by Camille Jullian 43871
[Language: French]
American Missionary -- Volume 39, No. 11, November, 1885, by Various 43870
Introduction to the Literature of Europe in the Fifteenth, 43869
Sixteenth, and Seventeenth Centuries, Vol. 2, by Henry Hallam
Introduction to the Literature of Europe in the Fifteenth, 43868
Sixteenth, and Seventeenth Centuries, Vol. 1, by Henry Hallam
Farm Engines and How to Run Them, by James H. Stephenson 43867
[Subtitle: The Young Engineer's Guide]
The Old Inns of Old England, Volume II (of 2), by Charles G. Harper 43866
[Subtitle: A Picturesque Account of the Ancient
and Storied Hostelries of Our Own Country]
[Illustrator: Charles G. Harper]
The Old Inns of Old England, Volume I (of 2), by Charles G. Harper 43865
[Subtitle: A Picturesque Account of the Ancient
and Storied Hostelries of Our Own Country]
[Illustrator: Charles G. Harper]
Running Fox, by Elmer Russell Gregor 43864
[Illustrator: D. C. Hutchison]
Child Life in Colonial Days, by Alice Morse Earle 43863
In the Morning Glow, by Roy Rolfe Gilson 43862
[Subtitle: Short Stories]
Granos de oro, by Rafael Argilagos 43861
[Subtitle: Pensamientos Seleccionados en las Obras de José Martí]
[Language: Spanish]
Storia delle repubbliche italiane dei secoli di mezzo, v. 7, 43860
by J. C. L. Simondo Sismondi]
[Language: Italian]
Storia delle repubbliche italiane dei secoli di mezzo, v. 6, 43859
by J. C. L. Simondo Sismondi]
[Language: Italian]
The Botanical Magazine, Vol. 13, by William Curtis and John Sims 43858
[Subtitle: Or Flower-Garden Displayed]
Catalogue of books on philately in the Public Library of 43857
the city of Boston, by Anonymous
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